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Call for Papers MoMoWo Symposium 2018 International Conference | Women’s Creativity since the Modern Movement (1918-2108): Toward a New Perception and Reception Women’s Creativity since the Modern Movement – MoMoWo is a large-scale cooperation cultural project co-funded by the Creative Culture Programme of the European Union and coordinated by the Polytechnic of Turin launched in 2014. MoMoWo considers an issue of contemporary cultural, social and economic importance, from both a European and an interdisciplinary perspective, women’s achievements in the design professions. After almost four years of successful project activities, and in accordance with the MoMoWo mission, the International Conference | Women’s Creativity since the Modern Movement (1918-2018): Toward a New Perception and Reception continues to increase the visibility of creative women, to foster in Europe and beyond interdisciplinary and multicultural approaches to the study of the built environment “from the spoon to the city”, and to facilitate the exchange of research results and professional practices in the fields of architecture, civil engineering and design.

Topics:

A. Women’s education and training. National and international mappings

B. Women’s legacy and heritage. Protection, restoration and enhancement

C. Women in communication and professional networks

D. Women and cultural tourism

E. Women’s achievements and professional attainments. Moving boundaries

F. Women and sustainability

G. Women ”as subjects”. Documentation, methodology, interpretation and enhancement G.1. Design drawings

Deadline for Abstracts submission is 31st October 2017. Lots more info here: http://www.momowo.eu/symposium/

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From Sheboygan to Los Angeles: Conference Updates

I was fortunate to attend two conferences this week that traced the research topics I’ve been investigating during the last 20 years. The first was at the John Michael Kolher Arts Centre and focused on ‘Visionary Environments’ [that is, places and objects built by self-taught and ‘outsider’ artists/builders/architects] and the second was the GAHTC investigating how we might teach a Global Architectural History.
‘The Road Less Travelled’ conference/exhibition at JMKAC celebrated the centre’s 50th Anniversary and brought together many of the contributors, responders, artists and scholars associated with this extraordinary set of 17 exhibitions. It forms a radical set of artwork with equally provocative and experimental curating. I’ve previously reviewed some of their earlier displays in Raw Vision Magazine and on this blog here. Three highlights from the current set of exhibitions include the works of Dr Charles Smith, Eugene von Bruenchenhein and Stella Waitzkin.
It was an engaging line-up and full of challenges ranging from conservation, community use, cultural concerns, research methods, and lots on Pasaquan.  Prof. Jo Farb Hernandez’s documentation work in Spain really resonated and she’s gathering more material for a follow-up book. I also enjoyed the podcast/lecture on the Forevertron by Benjamin Walker and The Theory of Everything.
There was a strong connection between these two conferences – both held a desire to reexamine and question the way we think about architecture and art, both in terms of its production as well as in its dissemination and history. GAHTC is working from within the canon [with a desire to change it], whereas JMKAC perhaps doesn’t view its collection as architectural, or as something architectural historians might be concerned with.  Its collection certainly falls within the ‘architecture without architects’ bracket but not in the way that Bernard Rudofsky presented it. Perhaps the common denominator between these conferences is the visionary environment in LA built by Italian migrant Simon Rodia, and now known as Watts Towers. I paid homage to this staggering creation and highly recommend it.
JMKAC has recently become the new home for SPACES archive [previously held in California] that contains some wonderful survey drawings, model and photographic documentation of the Towers, currently on display at JMKAC.
The SPACES methodology and detailed survey work sets the standard in this area, and their collection is being digitised. In many ways GAHTC is attempting to build up an equivalent archive of teaching material. To date, there are over 200 lectures held in its repository, and the ambition is for another 200+ lectures. They are also issuing a number of grants for scholars to develop new teaching resources and material. The three plenary speakers, Philip J Ethington, Stella Nair and Greg Castillo stoked considerable debate on cultural appropriation, settlements that existed on the site now occupied by Los Angeles, and the power of mapping this data. I also enjoyed the module proposed by Alicia Imperiale with its three lectures considering various aspects of mobile architecture, (including one by TAG friend Anoo Siddiqi).

Ola Uduku and colleagues at Edinburgh University hosted an excellent workshop this week on West African Modernism, combining some of the sessions with Docomomo Africa. The result was a very rich series of encounters, exchanges and discussions.

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Ilze Wolff presenting Rex Truform’s factory in Cape Town

Ilze Wolff gave a very poignant paper on Rex Truform, the clothing factory in Cape Town designed by Max Policansky in 1937. Ilze’s investigation goes beyond the built fabric and stylistic qualities of the structure – it considers the workers’ stories and what it was like to be a part of the everyday life of this significant building in the city. Ilze is also publishing her findings and interventions through a series of booklets: see Open House Architecture for more details.

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Shantanu Subramaniam’s presentation on Community Centres and Libraries in Ghana

Shantanu Subramaniam presented his recent fieldwork on the community centres and libraries of Ghana. In addition to architectural surveying and cataloguing Shantanu is also considering the environment performance of these structures and testing their ability to modify climate and interior temperatures.

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Joe Addo’s skype presentation on modern architecture in Accra

Joe Osae-Addo joined us via Skype and shared his film on modern architecture in Accra. The film presented an autobiographical account of Accra and its modern architecture, as seen and experienced by Joe from his childhood onwards. It is a compelling piece that will deliver far more impact in changing ‘hearts and minds’ than reports and conservation legislation.

You can watch the film here: https://stream.liv.ac.uk/s/hav96uun

We also discussed the DOCOMOMO presence in Africa and whether there should be regional groups [such as West Africa, Southern Africa and so on], to generate a more critical mass and greater influence. The reliance on the fiche methodology was also questioned – or at least its limits acknowledged – and we considered the use of ‘narrative’ and social history as a means of generating meaning, significance and connection to these structures beyond the fetishisation of the physical attributes, and tangible qualities.

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Cumbernauld townscape

On the final day we were treated to a site visit to the new town of Cumbernauld, and Stirling University.

As a factor of globalization that accompanied the modern colonial and postcolonial period, transnationalism and an emerging landscape of cosmopolitan sites offered women new proving ground outside established social, cultural, and commercial spheres of architecture and planning. In this session, we investigate the significance of transnational mobility, over an open time period, for women as architects, planners, patrons, builders, curators, historians, or other users of the built environment. Whether their movement was based on privileged access to international networks or resulted from forced migration, we find repeated instances of an engagement in debates on regionalism, the vernacular, the everyday, the folkloric, and the anonymous, as expressions in architecture and planning. Seeing these debates as deeply contingent on the subject’s position, this session seeks precision on a problem that has inhabited the fringes of architectural and planning history: the gendered connections between an extreme mobility (understood as conditioned by specific historical contexts) and a theory of the situated. Thinking with Donna Haraway—in particular, her concern with ‘situated knowledge’ as that which is informed by the subject’s position and does not attempt the abstraction of universalism—this session attempts to map mobility and gender onto one another within a set of practices and visions that focused on structuring, building, historicizing, or thinking the undesigned, the unplanned. We see this in part as stemming from the vision of a stranger, a function of vision from a periphery or a territorially interior margin. As Hilde Heynen has discussed in relation to Sybil Moholy-Nagy, the turn to architecture without architects also shifted claims upon expertise, opening the position of expert to a wider pool. This session takes the epistemological question of what knowledge is produced by transnational mobility, and attempts to move beyond the frequent challenges of the archive and historiography, to suggest certain sites of resistance to a ‘canon’ from which many women have been excluded, as well as to the various borders which define architectural expression, authors, and publics. Bringing the work of women architects and non-architects alike into conversation, we invite papers that consider understudied professional figures such as Sybil Moholy-Nagy, Jaqueline Tyrwhitt, Charlotte Perriand, Erica Mann, Jane Drew, Lina Bo Bardi, Minnette de Silva, Hannah Schreckenbach, Dorothy Hughes, Gillian Hopwood, Ursula Olsner, and Denise Scott Brown, or a variety of named and unnamed groups of women—clients, laborers, refugees—whose transnational travels affected the built environment or its history.

Co-chairs: Anooradha Iyer Siddiqi and Rachel Lee

Submissions: Please submit max. 300-word abstracts to iyersiddiqi@gmail.com or rachel.lee@gmx.net

Deadline: 30 September 2017

http://eahn2018conference.ee/

Conference Call for Papers: The Design, Planning and Politics of How and Where we Live

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Place: University of the West of England (UWE), Bristol, UK
Dates: 25-26 January 2018
Organisers: Department of Architecture, UWE, with AMPS. In collaboration with the Public Health Film Society and World Health Organisation Collaborating Centre at UWE.

Abstract Submission (Round 1): 01 June 2017   

http://architecturemps.com/bristol-2018/

The conference welcomes delegates to present in-person, via Skype or pre-recorded video which will be uploaded to the AMPS YouTube channel.

This major international conference considers the sustainability and healthiness of the places we live in – from our houses to our cities. Inspired by the origin of the public health movement in the issues of urban housing, it seeks an interdisciplinary debate on the quality of life in the built environment. It welcomes health professionals, sociologists, community activists, architects, planners, urban designers, and more.

From a health perspective, it continues the work of AMPS over the past three years on public health. From a housing perspective it continues AMPS engagement with the Housing – Critical Futures research programme. In its concern with the ‘politics of housing and health’ it continues collaborations with sociologists and community researchers. From a design point of view, it brings together the work of architects and spatial designers from various disciplines concerned with a better quality living environment affecting wellbeing, health and social sustainability.

Publications:
There will be a conference proceedings publication with its own ISSN.
There are several other publications:
1. A Special Issues of the Architecture_MPS journal
2.  Amps Book Series with UCL Press
3. Amps Book Series with Libri Publishing
4. Amps Book Series with Vernon Press

Other Partners:
The event is coordinated by the UK non-profit research organisation AMPS as part of its engagement with the UN Habitat University Initiative. It is part of a series being organised by an international consortium of universities and publishers including: The University of Derby, La Universidad de Sevilla, University of Cyprus, Swinburne University Australia, London South Bank University Liverpool and John Moores University, UCL Press and Libri Publishing.

This particular event is organised by the University of the West of England, Bristol, UK.
http://architecturemps.com/bristol-2018/

Image: Guy Freeman

The 6th Conference on Infrastructure Development in Africa, has just concluded with a particular focus this year on ‘Building Resilience through African Urban Culture’. Held at KNUST in Kumasi, Ghana the conference welcomed speakers from Nigeria, South Africa and UK, as well as a host of research papers presented from scholars based in Ghana.

Key note speakers (including Prof. Chike Oduoza, Dr Obuks Ejohwomu and Prof. Mugendi M’Rithaa) lucidly presented the varied and many challenges facing African cities today – with particular focus on energy use, digital infrastructure and the internet of every/things.

Prof. M’Rithaa’s presentation included some very striking map visuals, including the image below that shows the true size of Africa relative to other countries – something that Mercator projection of the world fails to reveal. You can just make out on the poor quality photo below the outlines of USA and India. He also spoke very eloquently on how our solutions must be people centred, rather than imposed solutions. Dr Ejohwomu also challenged us with many provocative questions and themes – including a cartoon showing an emaciated cow and a worker abandoning it in pursuit of an obese cattle. His challenge was that we can’t simply walk away from the problem and that Africa needs us to focus on its problems rather than attempting to flee them in the ‘global north’. This message also reinforced by Prof. David Edwards and Dr. Erica Parn in their presentation.

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I gave a presentation on the rich modern architectural history of Ghana, and the infrastructure of culture that exists here. I focused on a series of building types including education, community centres, and libraries, as well as the town planning and historical development of Kumasi.

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Nearly 50 papers followed on a vast array of topics as well as a striking art installation on the plight of the African Giant Snail’s ecosystem. A new journal was launched ‘Journal of Built Environment (ISSN: 2026-5409) and next year the conference will migrate to Lagos – we look forward to hearing more from this important gathering.

Urban Heritage Activism
Thursday 16 March – Friday 17 March, 09:00-18:00
TU Berlin, Hardenbergstr. 16-18, 10623 Berlin
Register: contact@urbannarratives.org
www.urbannarratives.org

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The two-day Urban Heritage Activism conference will focus on heritage ‘from below’–urban history as it is lived, represented and transformed by local communities in diverse geographies and cultural contexts. Speakers from grassroots movements, academic and cultural institutions will address political ramifications and power struggles related to heritage and introduce the failures and solutions of various activism projects, especially in postcolonial contexts. Contributors will debate contemporary tensions and future strategies for interventions through a roundtable discussion at the end of each day.

In addition to the stimulating conference programme, the Simulizi Mijini / Urban Narratives exhibition Juxtaposing Narratives: Dar es Salaam and Berlin will open at 8pm on Friday 17 March with a cooking performance, live music and a DJ. Walking tours and film screenings will round off the programme of events.

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Speakers and moderators: Erica Abreu, Jully Acuna, Yaşar Adanali, Awami Art Collective, Comfort Badaru, Diane Barbé, Shraddha Bhatawadekar, Vittoria Capresi, Jerome Chou , Rebecca Corey, Gabi Dolff-Bonekämper, Matthias Einhoff, Anne-Katrin Fenk, Zinovia Foka, Susanne Förster, Benjamin Häger, Maj Horn, Anooradha Iyer Siddiqi, Sehr Jalil, Leila Javanmardi, Claudia Jürgens, Georg Krajewsky, Rachel Lee, Farah Makki, Sarita Mamseri, Srdjan Mandić, Mansion, Avehi Menon, Philipp Misselwitz, Monika Motylinska, Rishika Mukhopadhyay, Laura Murray, Marcelo Murta, Naira Mushtaq, Cord Pagenstecher, Luise Rellensmann, Ana Luisa Ribeiro, Juliane Richter, Gözde Şarlak, Jona Schwerer, Annika Seifert, Gülsah Stapel, Samaila Suleiman and Mike Terry

Artists: Rehema Chachage, Cloud Chatanda, Tellervo Kalleinen and Oliver Kochta-Kalleinen, KUNSTrePUBLIK and Jan van Esch, Umesh Maddanahalli, Michelle Monareng, Patrick Mudekereza, Paul Ndunguru, Nadin Reschke, and Alex Römer