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As a factor of globalization that accompanied the modern colonial and postcolonial period, transnationalism and an emerging landscape of cosmopolitan sites offered women new proving ground outside established social, cultural, and commercial spheres of architecture and planning. In this session, we investigate the significance of transnational mobility, over an open time period, for women as architects, planners, patrons, builders, curators, historians, or other users of the built environment. Whether their movement was based on privileged access to international networks or resulted from forced migration, we find repeated instances of an engagement in debates on regionalism, the vernacular, the everyday, the folkloric, and the anonymous, as expressions in architecture and planning. Seeing these debates as deeply contingent on the subject’s position, this session seeks precision on a problem that has inhabited the fringes of architectural and planning history: the gendered connections between an extreme mobility (understood as conditioned by specific historical contexts) and a theory of the situated. Thinking with Donna Haraway—in particular, her concern with ‘situated knowledge’ as that which is informed by the subject’s position and does not attempt the abstraction of universalism—this session attempts to map mobility and gender onto one another within a set of practices and visions that focused on structuring, building, historicizing, or thinking the undesigned, the unplanned. We see this in part as stemming from the vision of a stranger, a function of vision from a periphery or a territorially interior margin. As Hilde Heynen has discussed in relation to Sybil Moholy-Nagy, the turn to architecture without architects also shifted claims upon expertise, opening the position of expert to a wider pool. This session takes the epistemological question of what knowledge is produced by transnational mobility, and attempts to move beyond the frequent challenges of the archive and historiography, to suggest certain sites of resistance to a ‘canon’ from which many women have been excluded, as well as to the various borders which define architectural expression, authors, and publics. Bringing the work of women architects and non-architects alike into conversation, we invite papers that consider understudied professional figures such as Sybil Moholy-Nagy, Jaqueline Tyrwhitt, Charlotte Perriand, Erica Mann, Jane Drew, Lina Bo Bardi, Minnette de Silva, Hannah Schreckenbach, Dorothy Hughes, Gillian Hopwood, Ursula Olsner, and Denise Scott Brown, or a variety of named and unnamed groups of women—clients, laborers, refugees—whose transnational travels affected the built environment or its history.

Co-chairs: Anooradha Iyer Siddiqi and Rachel Lee

Submissions: Please submit max. 300-word abstracts to iyersiddiqi@gmail.com or rachel.lee@gmx.net

Deadline: 30 September 2017

http://eahn2018conference.ee/

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**Deadline 19 May!**

reposted from http://design.britishcouncil.org/blog/2017/apr/12/open-call-rogelio-salmona-fellowship/?platform=hootsuite

OPEN CALL: Rogelio Salmona Fellowship Torres del Parque / photo by Enrique Guzmán © Fundación Rogelio Salmona

Torres del Parque / Photo by Enrique Guzman / copyright Rogelio Salmona

The British Council is seeking applications from architects and designers who have an interest in exploring the work of Rogelio Salmona and other architects and designers in Colombia for the Rogelio Salmona Fellowship.

Applications from practitioners in fields other than architecture and design are also welcome to apply (e.g. art; curatorial studies; history; social sciences or philosophy as well as architectural conservation and restoration; urban planning, architecture or design history or criticism).

The Rogelio Salmona Fellowship, alongside the Julio Vilamajó Residency in Uruguay, follows the success of the Lina Bo Bardi Fellowship in Brazil.

The Fellowship seeks to raise awareness and understanding of the important contribution of Salmona to architecture, culture and society in Colombia and across the region; to widen and deepen the understanding of his work internationally, to create long-term connections between the UK and Colombia, and between British and Colombian designers and architects, providing a development opportunity for talented British practitioners.

The Rogelio Salmona Fellowship is organised by the British Council and coordinated by Más Arte Más Acción, in partnership with Fundación Rogelio Salmona, Museo de Arte Moderno de Bogotá and Centro Cultural Universitario Rogelio Salmona – Universidad de Caldas.

 The Residency

While in Colombia, the designer in residence will be offered accommodation and access to a network of key contacts. They will be encouraged to visit all of Salmona’s built projects, to study the archive of his work, and to speak with people who have studied his life. A study of the work of other architects and designers, as well as Colombian culture as a whole, is also encouraged. The residency will be split between Bogotá and the Colombian Pacific Coast, and may include other cities in Colombia according to the proposed itinerary by the selected Fellow.

In addition to any specific areas that applicants would like to research, possible lines of enquiry in Rogelio Salmona’s work include:

  • Architecture and citizenship;
  • History and memory;
  • Environment and nature;
  • Craft and materials;
  • Public realm.

Applicants must be able to travel to Colombia for a period of 5-6 weeks between 15 July and 15 September 2017 (arriving in Bogotá before 15 August 2017).

How to Apply

Further information on the Fellowship and on how to apply detailed on the Open Call document.

The deadline for submissions is 16:00 (GMT) on Friday 19 May 2017.

Job @ METROMOD, Relocating Modernism: Global Metropolises, Modern Art and Exile, an ERC funded project at the Institute for Art History of the LMU Munich 

Job: Research Associate / Postdoc
Domain: History of Modern Art
Location: Institute for Art History, School of Arts, Zentnerstr. 31, D-80798 Munich, Germany
Assignment: September 2017 or as soon as possible
Salary Range: 13 TV-L
Hours: Full Time
Duration: 3 years, with the option of up to additional 20 months (until 5/2022)
Deadline for application: 1 May 2017 

LMU Munich is recognized as one of Europe’s premier academic and research institutions. The university is situated at the heart of Munich. 

Job Description
Applications are sought for a Research Associate/Postdoc (Wissenschaftlicher Mitarbeiter/in) on the new European Research Council funded project “METROMOD: Relocating Modernism: Global Metropolises, Modern Art and Exile” led by Professor Dr. Burcu Dogramaci and based at the LMU Institute for Art History. Applications from the disciplines of art history, architectural history, urban history, planning history or related research fields are welcome.

We are offering one three-year post-doctoral position starting in September 2017 at the earliest. After a positive evaluation the contract can be extended for up to 20 months (until May 2022 maximum). 

The Project
Breaking new ground, METROMOD proposes a rewriting of modern art history as a history of global interconnections, spurred by migration movements and rooted in cities. Revising the historiography of modern art, which still continues to be dominated by the hegemonic and normative narratives of (Western) European Modernism and ignores the significance of exile movements, METROMOD conceptualizes art history as a result of interrelations and negotiations in global contact zones, unstable flows, transformations and crises. The conceptual triangle of modernism, migration and the metropolis forms the foundation of an innovative comparative, interdisciplinary methodology. In its analysis, METROMOD focuses on the first half of the 20th century. During this era the modern movement emerged as a paradigm in art and architecture, and rapid urbanization took place globally; thousands of persecuted European modern artists fled their homes, re-establishing their practices in metropolises across the world. Reflecting both the geographical extent of these exile movements and their local urban impact METROMOD examines 6 key migrant destinations—the global cities of Buenos Aires, New York, London, Istanbul, Mumbai (formerly Bombay) and Shanghai—following three main objectives: 1. to explore transformations in urban topographies, identifying artistic contact zones and places of transcultural art production; 2. to investigate networks of exiled and local artists as well as collaborative projects and exhibitions; and 3. to analyse art publications and discourse generated in centres of exile. Digital mapping will locate sites of artistic migration in the cities and demonstrate linkages between transforming metropolises and flows of people and objects around the world.

Prerequisites
You have a PhD in art history, architectural history, urban history, planning history or related disciplines. You have a background in the history of modern art, photography, architecture or urbanism. You have a special interest in exile studies and history, and you have special language abilities in Spanish or Mandarin. You will be fluent in English and have a working knowledge of German. You will be expected to pursue independent work related to the themes of METROMOD focusing on the objectives of the project (see description above). You will conduct a postdoc project about the exiled/migrated artist community (1900-1950), art institutions, artworks and the urban landscape of Buenos Aires or Shanghai. Research experience in Argentina or China is expected.

The successful candidate is expected to work as part of a team based at the LMU Munich and to conduct fieldwork and/or archive visits for the case studies. You are expected to publish the results of your research within the publication programme of the project. You will be expected to be involved in planning and running collaborative project group activities (project meetings, workshops and conferences) as well as in the administrative work associated with the project. Experience with administration and coordination is desirable as well as an interest in archival research and/or the implementation of digital mapping tools connected with the project.

 Working space, working tools and a travel budget will be provided. Applications from disabled researchers will be considered with priority under equal conditions. We welcome applications from female candidates. This is a full-time position. The possibility of part-time and flexible working hours will be considered.

How to apply
Please send the following application materials as a single PDF-document to burcu.dogramaci@lmu.de (please specify METROMOD in your email subject line):

1. Short cover letter (max. 300 words)
2. Short CV (2 pages )plus list of publications
3. A description of your proposed research topic relating to the stated objectives of the METROMOD project (max 1000 words, excluding bibliography)
4. A writing sample (e.g. one chapter of your latest book or an article in a peer-reviewed journal). The writing sample should reflect your current research interests. It does not need to have been already accepted for publication and should preferably be no longer than 5000 words
5. Names and contact details of at least two referees.

Applications received by 1 May 2017 will receive full consideration. Review of the applications will continue until suitable candidates are found. Shortlisted candidates will be invited for interviews in May/June. Informal enquiries may be made to Prof. Dr. Burcu Dogramaci.

Contact Person:
Prof. Dr. Burcu Dogramaci
METROMOD, Relocating Modernism: Global Metropolises, Modern Art and Exile (ERC)
Ludwig-Maximilians-Universität München
Institut für Kunstgeschichte
Zentnerstraße 31
80798 München
E-Mail: burcu.dogramaci@lmu.de

Urban Heritage Activism
Thursday 16 March – Friday 17 March, 09:00-18:00
TU Berlin, Hardenbergstr. 16-18, 10623 Berlin
Register: contact@urbannarratives.org
www.urbannarratives.org

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The two-day Urban Heritage Activism conference will focus on heritage ‘from below’–urban history as it is lived, represented and transformed by local communities in diverse geographies and cultural contexts. Speakers from grassroots movements, academic and cultural institutions will address political ramifications and power struggles related to heritage and introduce the failures and solutions of various activism projects, especially in postcolonial contexts. Contributors will debate contemporary tensions and future strategies for interventions through a roundtable discussion at the end of each day.

In addition to the stimulating conference programme, the Simulizi Mijini / Urban Narratives exhibition Juxtaposing Narratives: Dar es Salaam and Berlin will open at 8pm on Friday 17 March with a cooking performance, live music and a DJ. Walking tours and film screenings will round off the programme of events.

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Speakers and moderators: Erica Abreu, Jully Acuna, Yaşar Adanali, Awami Art Collective, Comfort Badaru, Diane Barbé, Shraddha Bhatawadekar, Vittoria Capresi, Jerome Chou , Rebecca Corey, Gabi Dolff-Bonekämper, Matthias Einhoff, Anne-Katrin Fenk, Zinovia Foka, Susanne Förster, Benjamin Häger, Maj Horn, Anooradha Iyer Siddiqi, Sehr Jalil, Leila Javanmardi, Claudia Jürgens, Georg Krajewsky, Rachel Lee, Farah Makki, Sarita Mamseri, Srdjan Mandić, Mansion, Avehi Menon, Philipp Misselwitz, Monika Motylinska, Rishika Mukhopadhyay, Laura Murray, Marcelo Murta, Naira Mushtaq, Cord Pagenstecher, Luise Rellensmann, Ana Luisa Ribeiro, Juliane Richter, Gözde Şarlak, Jona Schwerer, Annika Seifert, Gülsah Stapel, Samaila Suleiman and Mike Terry

Artists: Rehema Chachage, Cloud Chatanda, Tellervo Kalleinen and Oliver Kochta-Kalleinen, KUNSTrePUBLIK and Jan van Esch, Umesh Maddanahalli, Michelle Monareng, Patrick Mudekereza, Paul Ndunguru, Nadin Reschke, and Alex Römer

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Testing the Timescape Bengaluru app at Kempegowda Tower in Lalbagh Park. Watch the video here

In November and December 2016 Rachel Lee and Anne-Katrin Fenk were in Bengaluru working on the augmented reality Timescape app that the Envisioning the Indian City team developed for Kolkata in 2015. Supported by Goethe Institut Bangalore (Max Mueller Bhavan) and MOD Institute, and partnered by Bygone Bangalore and Centre for Public History at Srishti, we spent five weeks looking through image collections, selecting locations, conducting interviews, geo-referencing photographs, writing entries and testing out and evolving the app in the city. We discussed our progress and the interim results at a public presentation at the Max Mueller Bhavan on 16 December.

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Real time transparency corrections at the Ashoka Pillar with Martin Winchester of Liverpool University

Timescape, a smartphone/tablet app, draws on the real, existing fabric of India’s cities, combining it with archival image material and historical data to communicate urban heritage through an immersive augmented reality experience. Using geolocation services and push notifications Timescape is a serendipitous tour guide, an armchair heritage portal, and an educational resource. Informative and easy to navigate, the AR app brings evocative, vintage photographs from museum collections, such as the British Library, online databases, like the Facebook group ‘Bygone Bangalore’, and family archives to India’s streets, living rooms and classrooms. Images of tangible heritage, such as buildings, are complemented by documents relating to intangible heritage, for example music recordings, poetry, and recipes. Timescape aims to become an innovative forum for recording, exchanging and remembering the evolving urban cultures of Indian cities across the subcontinent. Timescape will develop an infrastructure that enables people to upload their own historical photographic collections and stories.

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Screenshots of the app taken while walking up Avenue Road

As Bengaluru continues growing at an unrelenting pace, the historical fabric of the built environment is increasingly threatened. When, for example, nineteenth century bungalows are demolished to clear space for office towers, places that contribute to the foundations of the city’s and its citizens’ sense of collective identity and public memory are destroyed. In Bengaluru we focused on a central area including Chickpete, the Fort, Jayanagar and MG Road, which is particularly threatened by redevelopment. Features on buildings, such as the Rice Memorial Church or Krishna Rao Pavilion, were augmented by cultural institutions like the Indian Institute of World Culture, monuments like the Ashoka Pillar or the statue of Maharaja Chamarajendra Wodeyar X, and legendary local cultural hubs such as MTR Tiffin Rooms, Vidyarthi Bhavan and Koshy’s. As well as historic images, textual descriptions accompany the points of interest and in some cases sound files were added. We would like to expand the app to include edited oral histories collected in the neighbourhoods. Some of the points of interest have been archived on the MOD blog.

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Google map showing chosen points of interest and a screenshot of the app showing geolocated images in map mode

The presentation at Max Mueller Bhavan began with Anne-Katrin Fenk giving an introduction to archiving and curating urban history. Rachel Lee followed with a report on how the time in Bangalore had been spent and what progress we had made on the app, then Kiran Natarajan of Bygone Bangalore talked about the need for the app through his rather amusing “shock therapy” presentation, and finally Avehi Menon from Centre for Public History discussed the importance of oral history and how it could be integrated into the app through sound files.

In 2017 the next step is to apply for funding to move up a level and be able to devote adequate time to the development of the content and technology. We have a great team in Bengaluru, Berlin and Liverpool who are very enthusiastic to take it further.

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The Timescape Bengaluru team and friends celebrating in Indiranagar after the presentation at Max Mueller Bhavan. From left to right: Kiran Natarajan, Anne-Katrin Fenk, Avehi Menon, Katerina Valdivia Bruch, Vivek Jain, Cop Shiva and Rachel Lee

A short video of Anne-Katrin Fenk and Kiran Natarajan testing the app in Lalbagh Park is available on youtube.

Article in the Times of India from 20 December 2016.

Article in The Hindu from 10 January 2017.

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Simulizi Mijini/Urban Narratives is an interdisciplinary inquiry into urban heritage in Dar es Salaam, Tanzania, and Berlin, Germany. Through artist residencies, student exchanges and discursive events, the project seeks to develop a more inclusive approach to urban heritage that embraces multiple voices and supports diverse readings of urban environments from a ‘bottom-up’ perspective. For more information about the project and the programme of events, which have already included two summer schools, 10 artist residencies and a one-day symposium in Dar es Salaam, please visit our website: www.urbannarratives.org

We now announce a call for abstracts for a two-day international conference at the Technical University Berlin from 16-17 March 2017, which, together with a coinciding exhibition at ZK/U, will culminate the project.

For the Berlin conference we invite contributions that focus on heritage activism in diverse geographical and cultural contexts. Abstracts that address the political ramifications of urban heritage, particularly in postcolonial environments, are particularly welcome. We wish to engage the grassroots movements around the world that are demanding a more inclusive approach to heritage, redefining how places in the built environment are valued and preserved. In addition we will question the role of research and scholarship as well as other forms of political, cultural and arts practice in supporting heritage movements. Rather than convening an academic event, we will create a multidisciplinary platform for activists, scholars, artists, cultural producers, students and local residents to debate urban heritage, present innovative approaches and put forward inclusive solutions.

Abstracts are invited that address case studies in urban heritage activism in relation to the following topics:

(curating urban heritage)

How can information about urban heritage be gathered in diverse urban contexts at a community level? What are appropriate methods and tools for data collection? What role does oral history play? How can the data be archived in an open, accessible and transformable way? What strategies for curating urban heritage ‘from below’ have been successfully tried and tested?

(media and protest)

What can new technologies, such as augmented reality or virtual reality, offer to urban heritage research, curation and communication? What effects have social media had on documenting and archiving urban heritage? How have they affected protest movements? How can technologies be employed to hack or amend existing official heritage narratives?

(activating urban heritage)

Building on the Faro Convention, how can awareness be raised about urban heritage as a common cultural good and human right? What tactics can be used to increase public consciousness and foster local participation in the heritage discourse? How do we begin to (re)determine what is preserved and what is recognised as ‘historically relevant’ at a community level, thereby including diverse, minority and forgotten, ignored, or silenced voices?

(performing and preserving)

How can urban heritage be communicated to a wider audience effectively? How can its significance be understood and supported beyond the community level? What artistic, performative and curatorial strategies have been developed to convey the significance of certain places and practices within communities and neighbourhoods? How can these be used to protect and support their continued presence?  

Submissions and Deadline
Please submit a 300 word abstract including contact details and a brief CV to rachel.lee@tu-berlin.de by 15 December 2016.

Travel Bursaries
A limited number of travel bursaries will be available towards covering the costs of traveling to Berlin.

Book Publication
A selection of contributions will be included in a book publication, forthcoming in 2017. Authors interested in contributing to the book will be expected to submit a 1500 word synopsis of their conference presentation by 15 February 2017.

Dar es Salaam Symposium
The Berlin conference picks up on issues raised at the Reconfiguring Heritage from Below symposium held in Dar es Salaam in April 2016. There speakers from Tanzania, Zanzibar, Kenya, South Africa, Turkey, Belgium and the UK presented heritage case studies and projects from postcolonial contexts.

http://urbannarratives.org/en/events/

Notes
As an interdisciplinary, transnational programme, we encourage contributions from all horizons to apply. We seek to increase the number of women, people with disabilities and non-Western contributors in those areas where they are underrepresented and therefore explicitly encourage them to apply.

This project is funded by the TURN Fund of the German Federal Cultural Foundation.

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